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#SONY FRAME KIT LENS UPDATE#
A software update may be required for some lenses. See Sony’s support web page for information on compatible lenses.Recording frame rates are listed as integer values, but the actual frame rates are as follows: 24p = 23.98 fps, 30p = 29.97 fps, 60p = 59.94 fps, and 120p = 119.88 fps. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills.
#SONY FRAME KIT LENS FULL#
Full compensation may not be possible with some lenses. Compatible lenses are listed at: Angle of view and image quality may change slightly when this function is turned ON.
#SONY FRAME KIT LENS MOVIE#
Active mode not available for 120p (100p) movie recording, or when recording in the S&Q mode at 120p (100p). When shooting Super 35mm at 30p or 24/25p.Recording frame rates are indicated as the closest integer values.Maximum number of images depends on shooting conditions.Maximum continuous shooting speed depends on camera settings. Up to 6 fps with AF/AE tracking when shooting with live view.Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM OSS lens in AF-C mode. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens.The number of points used varies according to the shooting mode. 693 AF measurement points for still images.Based on advanced artificial intelligence, including machine learning. Subject types other than the type specified may be erroneously recognized in some cases. Available subject settings are: Human, Animal/Bird, Animal, Bird, Insect, Car/Train, and Airplane.Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Only 100 Hz and 120 Hz flicker are detected.60.2 million (9504 x 6336) pixels for 4-image shots, and approx. Image size after compositing is approx.Some restrictions apply to flash and other devices. Uncompressed RAW and silent mode are automatically selected for Pixel Shift Multi Shooting. The use of a tripod is recommended, as is the use of PC tethered control or a remote commander. Image compositing may not be successful if camera or subject movement causes blur.
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